This analyses the video file you’re working with, locating cuts between scenes and then creating position or cycle markers in the timeline to match. These features can save hours of tedious sorting and naming prep work.Īnother massive time-saver is Video Cut Detection. Better still, in situations where the files don’t have any metadata, Nuendo allows you to auto-generate metadata based on filename using rules that you define and includes tools for managing the metadata of multiple files simultaneously. Using the metadata contained in those files – scene and take name, duration, etc, – the tool also assists with finding and aligning takes that match audio events selected in the timeline. As well as allowing for projects that demand the most exacting levels of overall audio fidelity, this also ensures compatibility with high-end film and broadcast production equipment and workflows.Ī new Field Recorder Audio Import functionality has been added to massively streamline the task of importing and managing the multitude of audio takes and recordings generated during production. Nuendo is graced with Steinberg’s latest highly regarded audio engine and supports ultra-high sample rates of up to 384kHz and high precision 32-bit, 32-bit float and 64-bit float bit depths.
Steinberg nuendo full#
There’s also ARA (Audio Random Access) plug-in support, an improved side-chaining system, and much more – check out my review of Cubase 10 for a full rundown of these changes, because they’re all here in Nuendo, too. One of the most significant of these is the new VariAudio 3 interactive time-and-pitch editing tool, which now has a more comprehensive editing interface that improves workflow, and formant shifting to help to make the results sound more (or less) natural.
As before, the main project window is uncluttered, and maximises the main timeline-and-tracks workspace while keeping the essential control panels within easy reach.Īs well as sharing a common look and feel with Cubase, Nuendo 10 also now includes all of Cubase’s music-creation functionality – MIDI editors, sample tracks, scoring and such – and this side of things has received all the updates seen in the recent Cubase 10 release. Nuendo 10 has had a visual overhaul since its previous version, with higher-resolution graphics to support larger displays, redesigned icons that are easier to read and identify, improved contrast and definition on text and other interface elements and visual improvements to the Channel Strip effects and some bundled plug-ins. Development of the two product lines has tended to go hand-in-hand ever since. As well as becoming the first version of Nuendo, this new codebase was also the basis for that much-needed Cubase overhaul, which hit the shelves as Cubase SX.
So Steinberg developed an entirely new product, with a high-precision audio engine and an interface that drew on all of the company’s accumulated DAW-design wisdom.
Steinberg nuendo pro#
In 2000, though, a challenger to Pro Tools’ dominance arrived in the form of Nuendo, a new DAW and range of accompanying pro-grade hardware from audio software behemoth, Steinberg.Īt the time, Steinberg’s flagship product, Cubase, had become somewhat bloated and cumbersome as a result of all the extra features that had been added to it in response to the rapid advances in computer-based recording technology: it needed a major overhaul.
Steinberg nuendo professional#
There were good reasons for this: rock-solid stability, high I/O channel counts, very low-latency monitoring with effects on monitored signals and a wide range of peripherals that supported professional music, broadcast and film production workflows. In the years leading up to the Millennium, DSP-accelerated Pro Tools systems dominated the DAW market for high-end music studios and TV/film post-production studios. Price £841 (upgrade and crossgrade pricing available) Contact Steinberg
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